It’s pretty natural for me to think like that. It’s one of the main themes of the film, but it’s not a theme that I had a plan for. Weirdly enough, gender fluidity is a topic and it is not a topic for me. More specifically, how did you map out your approach to gender fluidity? It creeps into the premise, since Alexia’s transformation isn’t so clear from the first act. I’ll take one picture that I put in another movie, like a fireman, and use it in this one. You have some small Easter eggs in my films, from “Junior” to “Raw” to “Titane,” some details in the sets that are the same and some costumes that are the same. It’s a new phenomenon every time, but I have tried to make it a continuous gesture. If you look at it from the outside, when you finish one, you move on to the other one. I can tell you that I do try to create affiliation between my films. How intentional has this progression been for you? Your short film “Junior” deals with a tomboy who becomes more traditionally feminine “Raw” is about a girl who becomes a woman now, “Titane” deals with gender in a more expansive non-binary way. “Titane” exists on a continuum with your other work.
#Julia ducournau series#
Missing Pieces: Why Film Festivals Treat Programmers as Disposable (Column)Ĭharlie Cox and Vincent D'Onofrio Set to Reprise 'Daredevil' Roles for Marvel Series 'Echo'īest Movies Never Made: 35 Lost Projects from Christopher Nolan, Quentin Tarantino, and MoreĪ few days before her historic win, Ducournau sat down with IndieWire at the Cannes offices of Unifrance to discuss the themes of the movie, the extensive preparation that went into it, and how she’s evaluating opportunities as her career momentum continues to build. The ultimate movie-as-mic-drop experience, “Titane” left viewers speechless, but also gave them much to talk about, as it used its shocking, unpredictable ingredients to launch a complex exploration of gender fluidity unlike any seen before.Ĭannes 2022 Deals: Sideshow and Janus Buy 'The Eight Mountains' in Latest Festival Acquisition
#Julia ducournau serial#
Oh, she’s also a serial killer, and goes into hiding after her latest killing spree by posing as the long-lost son of a workaholic fireman (Vincent Lindon) with a steroid addiction. Brace yourself: Newcomer Agathe Rouselle plays Alexia, an erotic dancer with a sexual attraction to cars, one of which gets her pregnant. “Titane” follows Ducournau’s 2016 cannibal coming-of-age drama “Raw” with another provocative look at sexuality through the lens of genre.
#Julia ducournau movie#
That outcome is all the more exciting in light of the movie in question. By the end of the festival, the arrival of the second feature from 37-year-old French director Julia Ducournau would find her becoming the second female director in history to win the Palme d’Or, after Jane Campion took the prize for “The Piano” way back in 1993.
The lineup for this year’s Cannes Film Festival was filled with unpredictability, but at least one certain outcome: “ Titane” would get people talking.
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